A Sermon for the 7 pm Christmas Eve Candlelight Worship Service, December 24, 2017; Luke 2: 1-20 and Matthew 2:7-12
This evening’s sermon is unconventional for a Christmas Eve Candlelight Service. Rather than taking the traditional approach of doing character studies on each of the key figures in Luke’s account of Jesus’ birth—the angels, the shepherds, Joseph and Mary—I’ve decided to explore this extraordinary event through the lens of a short animated Christmas special—Disney-Pixar’s Toy Story That Time Forgot.
Several of you may already be thinking that a cartoon illustration is better suited for young kids and their parents during the earlier Children’s Service and not serious enough for a service in which youth and adults come to profoundly reflect on the meaning of Christmas.
However, I can assure you there is as much spiritual substance and depth to be found in this Toy Story tale as there is in the beloved A Charlie Brown Christmas and Dr. Seuss’ The Grinch Who Stole Christmas specials. More than 50 years later, millions of people still gather with their families in front of their TV screens to watch Charlie Brown and the Grinch because it speaks powerfully to them, even though they are long past childhood themselves.
The elation that we discover again and again through the viewing of our favorite Christmas specials and movies (along with other holiday preparations) is reflective of the Christmas story itself. At the center of Christmas is the birth of the child who will turn the world upside down. A momentous occasion that brings forth great joy to the child that dwells inside each of our hearts and reminds us all that we are called to live as children of God.
Prayer: Let the words of my mouth and the meditation of each and every one of our hearts be acceptable to you. May our entire selves be open to your wonders like a child on Christmas morning, O Lord, our rock and our redeemer, unto whom we surrender.
If you’ve ever seen a Disney-Pixar film in the last 10 years, you are well aware that while these movies are, on the surface, made and marketed to appeal to children, they contain timely messages intended to grab the attention of adults.
Popular offerings like Frozen, Zootopia, Moana, Finding Nemo, Inside Out, and Coco offer keen insights on life and relationships as it relates to the themes of fear, doubt, loss, hope, mercy, redemption, purpose, vocation, friendship, and love. And Toy Story That Time Forgot, which first aired in December 2014, is no different.
It’s two days after Christmas and Trixie the blue triceratops is depressed that 6-year-old Bonnie never plays with her like a dinosaur—resigned instead to the roles of goblin fairy, ice cream customer and baby reindeer. The part of prehistoric beast is given to an adorable new Christmas tree ornament named Angel Kitty who only speaks words of Christmas-related wisdom, which sounds cryptic to the other toys.
After being referred to again as a baby reindeer, Trixie lets out a loud sigh, prompting Angel Kitty to say: “Greet the world with an open heart.” Trixie just rolls her eyes and the other toys give the kitten puzzled stares because they don’t know what to make of the newcomer’s sayings.
Later, Bonnie takes Trixie, Angel Kitty, Woody, Buzz Lightyear, and Rex the anxious T-Rex to her friend Mason’s house for a play date. When they get there, Bonnie sees Mason playing a virtual reality video game. Rex, lamenting that he has such short T-Rex arms, shouts: “You’ve got to be kidding me! He got an Optimus X for Christmas! Sadly, the controls are beyond my limitations.”
Angel Kitty responds matter-of-factually: “Limitations are the shackles we bind ourselves.” Again, her companions look at her puzzled.
After Bonnie tosses her belongings into her friend’s playroom, the toys discover that Mason received the complete toy line of battling reptilian-dinosaurs for Christmas. Known as Battlesaurs, these fierce creatures are led by the brave Reptillus Maximus and the devious Cleric. Reptillus then takes Rex and Trixie to get new armor and tech, while, unbeknownst to them, the Cleric orders some other Battlesaurs to take Woody, Buzz and Angel Kitty hostage.
Soon, Trixie and Reptillus begin developing romantic feelings. Trixie is admirative of the Battlesaurs, while Reptillus is intrigued by her world. During a conversation atop Reptillus’ lair, Trixie tells the warrior: “You must have the most amazing play-times.” Reptillus, unfamiliar with the concept of play-time, asks Trixie to explain. She goes on: “You know, play. When you give yourself over to a kid.” Trixie’s words startle Reptillus who replies: “Giving is surrender! A Battlesaur would never surrender!”
Later, Trixie and Reptillus enter the “Arena of Woe”, where Trixie is horrified to see Reptillus attack Mason’s toys in a gladiatorial combat setting. Soon Woody and Buzz enter the ring. Woody warns Trixie that Mason has never played with the Battlesaurs and that they don’t even know they’re toys. Reptillus battles both Woody and Buzz till Trixie demands he stop. The Cleric deems Trixie an enemy after seeing she has Bonnie’s name on her hand. Trixie escapes the arena to get Bonnie’s attention and the Cleric orders Reptillus to stop her. As Reptillus chases Trixie, he is shocked to discover the box he came in.
Back at the Battlesaurs play-set, Woody and Buzz realize that the Cleric is the only Battlesaur who knows they’re all toys and is determined to make sure the others don’t find out so he can be their ruler. The Cleric then forces Rex to dispose of Woody and Buzz in a ventilation fan that would shred them.
Woody and Buzz scold the Cleric for doing such a dastardly deed during Christmas time. The Cleric is unfamiliar with the concept of Christmas, which prompts Angel Kitty to explain with another nugget: “The joy that you give to others is the joy that comes back to you.”
Meanwhile, Trixie reaches Mason’s video game power cord, hoping to turn it off and direct Bonnie’s focus to the playroom.
I found myself moved by this entire special, much in the same way I get chill bumps when Linus tells Charlie Brown the meaning of the holiday by reciting the birth of Jesus from Luke’s gospel. Or when the Whos in Whoville sing proudly about welcoming the light of Christmas, in spite of the Grinch’s theft of all their decorations and presents.
The title, Toy Story That Time Forgot, is an obvious reference to the dinosaur theme and also a cheesy 70s show called Land of the Lost where a family is thrown back in time and trapped in the pre-historic era. But for me, this Christmas special also seems to be a subtle nod to the story that we in modern times occasionally forget amid the hustle and bustle and commercialization of the season: the story of Emmanuel, God-with-us—the Christ child born in the straw poverty of a manger.
This 22-minute animated film, particularly the focus on the theme of surrender, reminded me of the words of the 20th century Christian martyr Dietrich Bonhoeffer, who wrote:
If we want to be part of these events, Advent and Christmas, we cannot just sit there like a theater audience and enjoy all the lovely pictures. Instead, we ourselves will be caught up in this action, this reversal of all things; we must become actors on this stage. For this is a play in which each spectator has a part to play, and we cannot hold back.
What will our role be? Worshipful shepherds bending the knee, or kings bringing gifts? What is being enacted when Mary becomes the mother of God, when God enters the world in a lowly manger? We cannot come to this manger in the same way that we would approach the cradle of any other child. Something will happen to each of us who decides to come to Christ’s manger.Each of us will have been judged or redeemed before we go away. Each of us will either break down, or come to know that God’s mercy is turned toward us.
What does it mean to say such things about the Christ child?…It is God, the Lord and Creator of all things, who becomes so small here, comes to us in a little corner of the world, unremarkable and hidden away, who wants to meet us and be among us as a helpless, defenseless child.
So, as we come so near to Christmas, what does it look like for each of us to open our hearts, free ourselves from the shackle of limitations that bind us, give joy to others, and be grateful for the gifts that are all around us?
What does it look like if we recognize that the world is bigger than we know and that the God, to whom we forever belong, chooses many wondrous roles for us to play in this life?
What does it look like if we let go and fall into the hands of our Divine Creator and allow ourselves to be a part of God’s amazing story, God’s glorious play and God’s unique imagination?
What does it look like if we set aside our personal agendas and desires for conquest and give our hearts to the Christ child, to Emmanuel who saves humanity from impending doom and transforms the world with unconditional love and grace?
What does it look like in this Christmas season and the coming New Year, in the silent night and the approaching light of a new day if we take a moment to pause and breathe?
What does it look like if we surrender?
Toy Story That Time Forgot, Dec. 2, 2014. Walt Disney Pictures, Pixar Animation Studios and Walt Disney Television Animation and Disney-ABC Domestic Television. Written and Directed by Steve Purcell and produced by Galyn Susan. Music composed by Michael Giacchino.
Christmas With Dietrich Bonhoeffer, Ausburg Fortress Publishers, 2005